|
Professor Wolf-Dietrich Niemeier
Director, The German Archaeological Institute at Athens
Professor Wolf-Dietrich
Niemeier studied at the University of Göttingen before undertaking
a doctorate at the Universities of Mannheim and Heidelberg. He was
awarded a PhD for his thesis entitled Die Palaststilkeramik von
Knossos in 1976. After working at Marburg University and as general
secretary of the German Archaeological Institute at Athens, he held
professorships at Freiburg University (1986-1991) and Heidelberg
University (1991-2001). In 2001 Professor Niemeier returned to the
German Archaeological Institute at Athens to take up the position of
Director.
A specialist in the Aegean
Bronze Age, Professor Niemeier has excavated extensively in Crete, as
well as on the Greek mainland, in southern Italy, Israel and Turkey. He
is currently director of the German Archaeological Institute
excavations at Miletus (Turkey), the Athenian Kerameikos
(Greece), Kalapodi (ancient Phokis, Greece) and the Samos Heraion
(Greece). He is widely published and well respected in his field, as
evidenced by the many guest lectures he has been asked to deliver
throughout Germany, the USA, Great Britain, France, Belgium, Denmark,
Sweden, Russia, Austria and now Australia.
Professor Wolf-Dietrich Niemeier
toured Australia as the 2007 AAIA Visiting Professor between August 6th
and September 12th, delivering a series of seminars and
lectures in Sydney, Armidale, Newcastle, Brisbane, Canberra, Adelaide,
Perth, Melbourne and Hobart.
Public
Lectures & Seminars
The most recent excavations at
Miletus/Millawanda and the history of Western Anatolia in the late
Bronze Age
According to
tradition, Miletos, 'the ornament of Ionia', was owned by the
indigenous Lelegoi before being settled by Cretans during the reign of
the mythical king Minos of Knossos. This tradition has been interpreted
by some historians as a myth with no historical reality behind it. The
excavations conducted at Miletos under the directorship of Professor
Niemeier have produced a continuous sequence of settlement levels from
the Chalcolithic period (4th millenium B.C.) to the end of the Bronze
Age (11th century B.C.). Miletos I and II, the settlements of the
Chalcolithic and Early Bronze Age (3rd millenium B.C.), are of a native
character. In the time of Miletus III, the settlement of the Middle
Bronze Age (20th century to second half of the 18th century B.C.), the
first Minoans arrived at Miletos. Miletus IV (second half of the 18th
century B.C. to middle of 15th century) was a pure Minoan settlement,
as demonstrated by locally produced domestic pottery, a Minoan
sanctuary, Minoan wall-paintings, and evidence for Minoan
administration. In the middle of the 15th century the settlement was
conquered my Mycenaeans from the Greek mainland. The two following
settlement periods, Miletus V-VI (second half of the 15th century to
ca. 1200 B.C.), are of Mycenaean character.
In the cuneiform texts of the 14th to 13th centuries B.C. found at
Hattusa, the capital of the Hittite empire, Miletos is refered to as
Milawanda, a bridgehead of the Mycenaean kingdom of Ahhiyawa (connected
to Homer's Achaians, probably centred in Boeotian Thebes). Mycenaeans
and Hittites were opponents in western Asia Minor. This appears to form
the historical background of the tradition of the Trojan War, since
Troy = Ilios, or, in the Hittite sources, Wilusa, a vassal of the
Hittites.
The Kouros of the Sacred Gate: New finds
of archaic marble sculptures in the Kerameikos of Athens
For almost
2500 years the Kouros was hidden under a canal in the Kerameikos, the
potters' quarter and cemetery of ancient Athens, until discovered in
April 2002 during excavations by the German Archaeological Institute at
Athens under the directorship of Professor Niemeier. The statue is a
masterpiece of ca. 600 B.C., the very beginning of the great Athenian
tradition of marble sculpture. With the kouros other sculptures were
found: a Sphinx, two lions, an Ionian capital, and a Doric capital.
This group forms the most spectacular find of Archaic sculptures since
the discovery of those in the debris of the Persian destruction on the
Athenian Acropolis. In the lecture, the exciting story of the discovery
of the new sculptures is narrated. Their importance for the history of
Greek sculpture, their original function as monuments on the graves of
aristocratic families, and the question how they came to their place of
discovery are discussed.
New light on the Greek 'Dark Age': cult
continuity in sanctuaries at Miletus and Kalapodi
In ca. 1200
B.C. the Mycenaean civilization ended with the destruction of their
impressive citadels, the seats of its mighty kings. A period of
discontinuity, decrease in population, and poverty followed: the 'Dark
Age' of Greece. During this 'Dark Age' there was also discontinuity in
religion and spatial indeterminacy in cult. Not until the second half
of the 8th century B.C. did a sudden development lead to the 'Greek
Renaissance', a period of immense economic and cultural advance which
formed the basis of Classical Greece. The Greek sanctuary as a discrete
area of religious activity emerged also at this time.
Such had been the long-held belief regarding developments in
Greece between the 12th and 8th centuries B.C.. Excavations over the
last decades have, however, demonstrated that there is more continuity
in various spheres than previously thought. Yet the problem of
continuity in religion and cult remains controversial. Excavations in
the sanctuary of Athena at Miletus (Ionia) and in the probable
sanctuary of Apollon at Abai, Kalapodi (ancient Phokis), both directed
by Professor Niemeier, have revealed evidence for continuous cult
activity from at least the Mycenaean Age, through the 'Dark Age', to
the Archaic period. Among the important finds from Kalapodi are unique
fragments of a 7th century B.C. wall-painting representing a battle
scene.
New excavations in the sanctuary of
Kalapodi (Phokis): the oracle sanctuary of Apollo of Abai
The Greek 'Dark Age', the time between the fall of the Mycenaean
citadels of ca. 1200 B.C. and the 'Greek Renaissance' of the second
half of the 8th century B.C., remains one of the most enigmatic periods
in the history of ancient Greece. There is still much controversy about
continuity and discontinuity during this time. For religion and cult,
scholars have argued that there was discontinuity and spatial
indeterminacy during 'the Dark Age' and that the Greek sanctuary as a
discrete area of religious activity emerged only in the eighth century
B.C. However, most of the Olympian gods were venerated as early as the
Mycenaean period. If they survived through 'the Dark Age', those gods
must have been venerated in that period also. The sanctuary near the
village Kalapodi (Nomos Fthiotidas, ancient Phokis), probably that
of Apollon of Abai, being excavated under the directorship of
Professor Niemeier, is producing a sequence from the sanctuary from as
early as the Middle Bronze Age, through the Dark Ages, to the Archaic
and Classical periods. Such a sequence is up till now unique on the
Greek mainland. Exciting finds have also been made, including fragments
of Mycenaean clay vessels with painted representations of warriors and
battles, a unique wall-painting of the 7th century B.C. with the
representation of a battle scene between hoplites, and a series of
chariot wheels of the late 6th century which had been attached as
votives to the temple.
|

|